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Allen & Heath ZEDi-10FX Hybrid Compact Mixer/4x4 USB Interface with FX

£9.9£99Clearance
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Next up are the EQs, and you’ll get a high, mid, and low knob on all four of the mono channels, while the first stereo channel isdecidedly less equipped with only high and low knobs. The remaining knobs include an aux send, FX send, panning, and an overall mix level. The aux send is pre-fader, while the FX send is post-fader — just something to keep in mind while in use. The second stereo channel can serve as either another stereo input, an FX return, a USB return from your DAW, or a source for the FX built in to the console. The third and final stereo input can only be taken from USB, and used to blend with the aux bus or mix bus with PFL. Last but not least, the Allen & Heath ZEDi-10FX is built to last. It should be able to handle most of the reasonable abuse you can throw at it, which is good news considering the people who will buy a small-format console like this are probably people who are also on a budget. Sound M1-M2-L-R = USB channels 1&2 are sourced directly from the preamps of M1 and M2 then USB channels 3&4 are the stereo main LR mix. Allen & Heath's marketing blurb suggests that the ZED series is 'perfect' for live mixing, and while that might be hyperbole, it would certainly serve well in that capacity, where most of the effects and the tap tempo would certainly come in handy. The level knobs are inevitably more fiddly than faders, though, and I know which I'd prefer to have on a dimly lit stage! However, I think that the primary market for this mixer should be the home studio, and anyone looking to make decent‑quality band demo recordings.

Conclusively, with the ZEDi-10FX, Allen & Heath offers a small mixer in proven quality. The 4 × 4 audio interface, the very good microphone preamps, and the good sounding effects processor are the highlights of the equipment. The rear panel of the ZED10 FX hosts the IEC mains power inlet, as well as a recessed switch to alter the output level. ST3 takes its input from USB and can be blended into either the Aux or Mix buses, with PFL. It also has controls for routing analog signals to the USB interface (see below).

Rating

ZEDi-10FX boasts a brand new suite of studio quality reverbs and delays, painstakingly crafted to enhance your recordings and performances. Special multi-model effects provide uniquely dynamic combinations of reverbs and delays. The recording works straight away without any problems. There is the possibility to record up to 24 bit, 96 kHz. where You are acting in the course of Your trade, business, craft or profession (“ Business Customer ”), not to permit the Software to be accessed through an electronic network beyond your normal place of business; To the maximum extent permitted by applicable law, and except as provided in any Allen & Heath guarantee provided with the Software or Product and the Limited Warranty (above), Allen & Heath and its suppliers shall not be liable for any damages whatsoever (including without limitation, damages for loss of data, loss of business profits or business opportunity, business interruption, loss of business information or other direct, indirect, consequential or pecuniary loss) arising out of the use or inability to use the Software, even if Allen & Heath has been advised of the possibility of such damages.

Guitarists will be pleased to know that ZEDi-10FX comes with a pair of Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes. ZEDi-10FX boasts a brand new suite of studio quality reverbs and delays, painstakingly crafted to enhance your recordings and performances. Special multi-model effects provide uniquely dynamic combinations of reverbs and delays All ZED mixers are designed and built to Allen and Heath’s legendary touring grade standards to ensure a long life in the toughest environments. All channels are on individual, vertical circuit boards and all rotary controls are secured to the front panel with a steel nut to guard against impact damage. Made for guitars All ZED mixers are designed and built to Allen & Heath’s legendary touring grade standards to ensure a long life in the toughest environments. All channels are on individual, vertical circuit boards and all rotary controls are secured to the front panel with a steel nut to guard against impact damage.

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Although a power switch is missing, Behringer has to compensate with the phantom power supply. The condenser microphones can also be used. Allen and Heath will not be liable or responsible for any failure to perform, or delay in performance of, any of its obligations under this Licence that are caused by an event outside of its reasonable control Behringer has 61 plug-ins to choose from. This ranges from reverb and delay to modulation effects, graphic equalizers, exciters, and transient designers.

Technologies

I’ve been a fan of Allen & Heath mixers since reviewing a MixWizard console nearly 20 years ago. This month we review the new ZEDi-10FX, a desktop mixer/interface with surprising hidden power.

I connected the ZED10 FX to my MacBook Pro and it was recognised instantly as a class‑compliant USB audio device, so no drivers were required. However, Allen & Heath suggest trying the third‑party ASIO4ALL driver if you're experiencing any problems on a PC (not that you should be!). Performing live gigswithneed a super-compact portable rig, or playing and recording your ideas at home with a few of your band mates, ready to upload online? Just pull out the ZED-i10FX from your bag, and setup in minutes. The ZED series use GS-Pre boutique preamps so that you get exceptionally low noise and plenty of headroom. This means your sound output to the speakers/recording will be clear, clean and sweet. Credit subject to status and affordability. Terms & Conditions Apply. Guitar Guitar Limited is a credit broker and is Authorised However, the Gear4music extended warranty scheme provides an enhanced service, and is designed to offer a higher level of protection than many 'free' warranties offered by some retailers and manufacturers.

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ZEDi-10FX features an exceptional new preamp design, created by analogue guru, Mike Griffin and developed from his highly acclaimed GS-R24 studio recording console. Known as GSPre, the preamps deliver exceptionally low noise and massive headroom, and the warmth and depth that Allen & Heath’s analogue range is famous for. For tonal shaping, the precise 3 band MusiQ EQ controls have been carefully calibrated for responsiveness and precision, making it easy to shape and enhance each musical source. In general we kind of liked how the console looks, and it definitely grew on us. Sure, like we said, it’s not a design masterpiece, but its laid out to work well, and work well it does. Use There are a few things to keep in mind while using this console. For example, plugging into the second stereo input cuts the mixer’s USB signal — so remember to avoid doing that if you want to keep your mixer connected to your DAW. Allen & Heath told us that users can also configure the DAW return to be on ST3 instead of ST2 through a firmware update. b) is not unnecessarily disclosed or communicated to any third party without our prior written consent; and Allen & Heath may transfer, assign, charge, sub-contract or otherwise dispose of this EULA, or any of its rights or obligations arising under it, at any time.

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