Un agogó és un instrument de percussió, idiòfon, originari de la Candomblé, una regió del Brasil, encara que s'ha anat expandint per altres regions del món. El nom deriva del mot akoko que significa rellotge, ja que fa un soroll que recorda al d'un rellotge. Es forma a partir de dos o més cons units per la base. (ca) Béhague, Gerard. 1998. "Afro-Brazilian Traditions." In The Garland Encyclopedia of World Music v.2. ed. Dale A. Olsen and Daniel E. Sheehy. New York: Garland Publishing, pp. 340-355. The player grips the agogô in one hand so that the handle is in his palm, the openings of the bells are facing away from him, and the smaller bell is above the larger one. The beater, held in the other hand, is used to strike the upward facing sides of the bells near their rims. The bells produce two tones the precise frequencies of which are not a concern, only that one is relatively higher in pitch than the other (the interval between the bells of the first instrument pictured here is approximately a M3). Typically the instrument is used to perform an iterative rhythmic pattern throughout a performance of a given repertoire item. Set out the chairs in a horseshoe. For KS3, everyone should stand to play with the larger instruments on straps. For KS2 handheld instrument players should always stand to play, and everyone else sit down. It is still useful to have the chairs in a horseshoe as it marks out the positions you want them to stand. You may also find it helpful to have the students playing larger instruments seated, rather than standing, for the majority of the lesson for two reasons; putting on straps can take time and is complicated, it will reduce the volume of the whole ensemble considerably. Consider only getting them to stand for the final part of the lesson or when the ensemble is rhythmically secure.

To play the glass harmonica, the musician wets their fingers with water or a damp cloth and gently rubs the rims or edges of the spinning glass bowls. This friction produces vibrations, creating musical tones. The musician can control the pitch and volume of the notes by adjusting the pressure and speed of their finger movements. Choose: "Edit Staff Type" Button below that if necessary to change a 5 Staff line to a 2 Staff Line, Bell pattern 1 is the most basic, or archetypal pattern. It is the 4/4 form of what is known in ethnomusicology as the standard pattern, and known in Cuba as clave. Pattern 1 is used in maculelê and some Candomblé and Macumba rhythms. Bell 2 is used in afoxê and can be thought of as pattern 1 embellished with four additional strokes. Bell 3 is used in batucada. Pattern 4 is the maracatu bell and can be thought of as pattern 1 embellished with four additional strokes. It is used in the ceremonial music of religions in Yorubaland as well as in their new world practice, which is based on beliefs such as Candomblé brought by slaves from Africa. Agogoo (portugale: agogô) estas frapinstrumento de brazila muziko konsistanta el du longecaj kaj konusaj metalaj sonorilo sen frapiloj, kiujn kunligas elasta arko. La du sonoriloj estas de malsamaj grando kaj tonaltoj, kaj oni frapas ilin per mallonga bastono. La tona intervalo de la du sonoriloj riĉaj je suprotonoj estas depende de la prilaboriĝo de la instrumento agordita kiel trito, kvarto aŭ kvinto. Agogoo estas frapata per bastono el ligno, malpli ofte el metalo. Alian perkutsonon oni povas generi kunprenante la du sonorilojn dum la ludado unu kontraŭ la alian. (eo)Reily, Suzel Ana. 1998. "Brazil: Central and Southern Areas." In The Garland Encyclopedia of World Music v.2. ed. Dale A. Olsen and Daniel E. Sheehy. New York: Garland Publishing, pp. 300-322. The A-Star range of agogo bells are perfect for use in the classroom and in music groups. There are multi-tasking wooden models which can be used as an agogo as well as a guiro. However, there are also more traditional metal ones. Robustly built and always supplied with a beater, you can therefore play straight out of the box. Double Metal Bells Wood: If an Agogo bell is made out of wood, of course you cannot expect to sound like a metal bell. However, the sound of a wooden Agogo bell is much more earthy and natural. A bell known as agogo is used for religious reasons in addition to the percussion bell. It features a tongue and a clapper that are used to generate noise by striking the metallic body. Pentecostal congregations utilize it as a type of musical instrument and for prayer. The importance of agogo is the same everywhere in the world. [5] [6] Rhythmic patterns [ edit ] Afro-Brazilian agogo bell patterns. Play 1 ⓘ, 2 ⓘ, 3 ⓘ, 4 ⓘ

To play the agogo bells, you will need to hold the bells in each hand and strike them together. You can vary the tone and sound by striking the bells at different angles and with different amounts of force. McGowan, Chris, and Ricardo Pessanha. 2009. The Brazilian Sound: Samba, Bossa Nova, and the Popular Music of Brazil. Philadelphia: Temple University Press. As for tamborim or surdos, in fast tempos, the section of agogos can improvise melodic interlaced lines fluctuating and enchanting, which give this both "compact" and living character, so typical of the samba. Metal: Most of the Agogo bells were made out of metal for they resonate a lot more in comparison to wood and nut bells.The agogo is one of the rare melodic instruments of the batucada with high pitched tones. As for tamborim or surdos, in fast tempos, the section of agogos can improvise melodic interlaced lines fluctuating and enchanting, which give this both “compact” and living character, so typical of the samba. What is the purpose of Agogo? The 3-stage teaching technique is really useful for leading a samba lesson especially as there is a lot of syncopation. With the class standing in a horseshoe, teach them the body percussion on the following parts of the body and get everyone to play each part together:

Un agogô (que significa gong o la campana en yoruba) es un instrumento de pequeña percusión en forma de campana simple o múltiple. Es usado en todo el mundo. Sus orígenes se encuentran en la música yoruba tradicional y también en las baterías de samba (conjuntos de percusión). El agogô puede ser el instrumento de samba más viejo y estaba basado en las campanas yoruba simples o dobles del África occidental. (es) Each bell is a different size. This allows a differently-pitched note to be produced depending on which bell has been hit. Originally wrought iron, they are now manufactured in a variety of metals and sizes for different sound qualities.For a two-line percussion instrument to work you choose the created staff and add a Percussion Stave to your Score play surdo rhythms either by simply stamping feet (if they are just playing the pulse) or on knees if the rhythm is a little more complicated. Even though they have been used around the world, their origins are in traditional Yoruba and Edo music and also in samba baterias (percussion ensembles). How Do You Play The Agogo Bells? Agogo Bells are percussion instruments that are used as a rhythmic accompaniment in music. We will give you the lowdown on the instrument’s history, where to buy one etc. So let’s dive in and find out more. What Are Agogo Bells?